Shortly after the siege of Antwerp in 1585, the family moved to Haarlem, where Frans Hals stayed until his death (apart from several short trips, including the trip to Antwerp in 1616, where he got acquainted with the work of Peter Paul Rubens). It is known that he was born in Antwerp somewhere between 15 in the family of cloth merchant Franchois Hals and his second wife Adriaentje van Geertenryck. Meanwhile, information about the first 20 – 30 years of the painter’s life is extremely meager. At that time, Vermeer’s small legacy was just beginning to be rediscovered, and the vibrant palette and bold manner of Hals’ paintings attracted more realist and impressionist artists rather than the Rembrandt technique consecrated for centuries. Furthermore, in the second half of the XIX century in certain circles, especially in Paris, he was appreciated much more than both of the artists mentioned above. In the pantheon of Dutch Golden Age artists, France Hals took the very next place after Rembrandt and, over the last hundred years, Johannes Vermeer. That technique became very popular in the 19th century, especially among the impressionists.įamous paintings by Frans Hals: “ The Officers of the St George Militia Company in 1639”, “ The Laughing Cavalier”, “ The Regents of the Old Men’s Almshouse”, “ The Regentesses of the Old Men’s Almshouse Haarlem”. He emphasized the details and gave vividness to the models with the help of visible brushstrokes, lines, spots and large patches of color. Unlike fellow contemporaries, Hals avoided the polished texture and smooth application of paint in his works. Centuries later, Vincent Van Gogh wrote to his brother Theo: “ What a pleasure to look at the paintings by Frans Hals, how different they are from other ones, most of them, where everything is so carefully smoothed and painted in the same manner.” Its author, Samuel Ampzing, praised the artist’s ability to “ capture the spirit of his sitters in portraits.”Īt that time, Theodor Schrevel, a city dweller, had noted that the painter’s works reflected “ such power and life” that it seemed that he “ defies nature with his brush”. The popularity of his works, among which there were a number of important group portraits, was evidenced by “Description and Praise of the City of Haarlem” in 1628.
#Dutch portrait painter frans series#
He introduced his lively style into Dutch painting and played an important role in the evolution of the group portrait of the 17th century.įeatures of the artist Frans Hals’s works: Although Frans Hals received recognition as a portrait painter, he also painted scenes from everyday life and created a series of four paintings of the four evangelists.
#Dutch portrait painter frans free#
The technique was characterized by unusually free and powerful brushwork. He developed a technique close to impressionism. 1581, Antwerp, Spanish Netherlands (now Belgium) - August 29, 1666, Haarlem, Netherlands) was a Dutch Golden Age painter who specialized in portraits.
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